The poorest fantasy world even summoned.
Unfortunately, not all the fantasy stories that make it to the big screen are of as good quality as The Lord of the Rings' latest film adaptation. There already are 5 Harry Potter films (plus 3 more on the making). The Narnia series is, too, a good example of how far we can go (Disney, in this case) in our effort for trying to reproduce the key elements of a hit of this kind. Although the result may be financially rewarding, randomly placed bows, magic spells and sword fights don't make a good fantasy film. More importantly, this sort of production may make audiences lose faith in next ones, as they would end up not expecting much of them.
Visual effects in this second “Narnia” deserve special mention. There is quite an impressive sequence in a bridge towards the end of the film. Other than that, it is not often that what may be a combination of lack of imagination, poor criteria and/or scarce interest results in such a huge amount of pointless soulless ugly creatures (right, the pointless and soulless side of it has to do with scripting and acting, but all together makes a terrible combination!). Not even films like Robots (with its too many meaningless machine-like characters) leaves you with such a bad taste in our mouth. It is hard to believe that there is still something in the fantasy line that we can't do convincingly with 3D computer graphics. Or maybe there is, but it sure has to be something more complex and creative than anything we can see in this film.
According to the director himself, the film is meant to make us reflect upon the transition to adulthood, the sacrifices that you have to make and those things that you have to leave behind. But since very often actors just stand there, in front of the camera, hoping the melodramatic musical background will do all the work and the script only collaborates with a few scenes that require the film to stop completely while torrents of explanations are given... well.. it doesn't quite work. Other than that, nothing more to say about a script that doesn't say much itself anyway.
Luckily, despite upsetting experiences like this, Disney doesn't seem to be totally dead. There seems to be life after its divorce from Pixar, and the trailer of Blast (first 3D film on their own) looks quite good and serves as evidence of an encouraging future. There are Let's hope they'll follow this path instead of going through the gate to Narnia again..